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Since her triumphant debut in 2007 as Violetta (La Traviata) at the Teatro dell’Opera di Roma, Myrtò Papatanasiu ranks among the most acclaimed sopranos worldwide. Her magnificent voice and dazzling stage presence have established her as a unique international opera singer.

Her engagements in the 2018/19 take her to the Staatsoper Wien as Donna Anna (Don Giovanni); as well to the Zurich Opera House as Arminda (La finta Giardiniera), a new production of Manon (Massenet) in Athens, Concerts with Bamberg Symphony Orchestra; as Amelia (Simon Boccanegra) in Montpellier.

As one of the most sought-after lyric artists today, she performs in the world’s leading opera houses including the Metropolitan Opera, Wiener Staatsoper, Deutsche Staatsoper Berlin, Bayerische Staatsoper, Opernhaus Zürich, Theater an der Wien, Opéra Nationale de Paris, Théâtre des Champs Élysées, Théâtre Royal de la Monnaie, Opéra de Monte-Carlo, San Diego Opera, The Dallas Opera, L’Opéra de Montréal, Sydney Opera House, New National Theatre Tokio, Teatro dell’Opera di Roma, De Nationale Opera Amsterdam, Copenhagen Opera House, Gran Teatre del Liceu Barcelona, Teatro Regio di Torino, Teatro Carlo Felice Genova, Accademia Nazionale di Santa Cecilia di Roma, Teatro di San Carlo di Napoli and Grand Théâtre de Luxembourg, as well as at festivals in Athens, Edinburgh, New York, Sferisterio Macerata and La Coruña.

She has worked with such renowned conductors as Iván Fischer, Bertrand de Billy, Christophe Rousset, Louis Langrée, Alberto Zedda, Ádám Fischer, Emmanuelle Haïm, Evelino Pidò, Teodor Currentzis, Riccardo Frizza, Constantinos Carydis, Jérémie Rhorer, Roberto Abbado, Gianluigi Gelmetti, Daniele Callegari, Alessandro de Marchi, Claire Gibault, Marc Minkowski, Stefano Ranzani, Stefan Soltesz, Gustavo Gimeno, Alexander Joel and with orchestras such as Le Concert d’Astrée, Les Talens Lyriques, Athens Camerata, and L’Orchestra dell’Accademia Nazionale di Santa Cecilia in Roma.

She has expressed her fascinating creative power and has filled the stage with her overwhelming presence in outstanding collaborations with major stage directors such as Robert Carsen, David Mac Vicar, Franco Zeffirelli, Pier Luigi Pizzi, Stefan Herheim, Jossi Wieler and Sergio Morabito, Keith Warner, Torsten Fischer, Davide Livermore, Clément Hervieu-Léger, Jean-Philippe Clarac, Olivier Deloeuil, Cesare Lievi, Daniele Abbado, Graham Vick, Kasper Holten, David Hermann, David Bösch and Stéphane Braunschweig.

Established as a great Mozart interpreter, Myrtò Papatanasiu’s most celebrated portrayals include those of Sifare (Mitridate, Rè di Ponto) at Théâtre Royal de la Monnaie, Théâtre des Champs-Élysées in Paris and Opéra de Dijon; Donna Anna (Don Giovanni) at Wiener Staatsoper, Theater an der Wien, Teatro Carlo Felice Genova, De Nationale Opera Amsterdam; Donna Elvira (Don Giovanni) at San Diego Opera, Mostly Mozart Festival New York, Gran Teatre del Liceu Barcelona and Grand Théâtre de Genève; Fiordiligi (Così fan tutte) at Palais Garnier in Paris, Copenhagen Opera House, Staatstheater Wiesbaden, De Vlaamse Opera  Antwerpen, Greek National Opera, and Teatro Filarmonico di Verona; Konstanze (Die Entführung aus dem Serail) at Thessaloniki Concert Hall, Sandrina (La Finta Gardiniera) at Greek National Opera; Vitelia (La Clemenza di Tito) at Volksoper Wien; and Contessa Almaviva (Le nozze di Figaro) at the New National Theatre Tokio and the Staatsoper Berlin.

For her particularly remarkable and memorable company debut as Violetta (La Traviata) at The Dallas Opera, Myrtò Papatanasiu was honoured with the prestigious «Maria Callas Debut Artist of the Year» award in 2012.

Performing Violetta, one of her signature roles, she earned wide critical acclaim in various prominent productions at the Bayerische Staatsoper, Wiener Staatsoper, Teatro dell’Opera di Roma, Greek National Opera, Welsh National Opera in Cardiff, and the Royal Danish Theatre in Copenhagen.

After Rossini’s much-acclaimed Anna (Maometto II) at the Concertgebouw Amsterdam; Donna Fiorilla (Il turco in Italia) at the Teatro Carlo Felice di Genova; and Giulia (La Scala di Seta) at the Konzerthaus Wien, she was celebrated for her outstanding interpretation of Semiramide (title role) at De Vlaamse Opera Antwerpen and the Edinburgh Festival.

Further appearences include Nedda (I Pagliacci) at the Opernhaus Zürich and the Teatro dell’Opera di Roma; Puccini’s Tosca (title role) at the Teatro dell’Opera di Roma; and Musetta (La Bohème), marking her debut at The Metropolitan Opera New York.

Dvořák’s Rusalka (title role) at the Théâtre Royal de la Monnaie, has set a new milestone in Myrtò Papatanasiu’s career.

Furthermore, she has received particular attention for her unique portrayals of Händel’s Alcina (title role) at the Theater an der Wien, Opéra Garnier and Oper Stuttgart; and Gluck’s Iphigénie (Iphigénie en Aulide) at the Theater an der Wien.

In recent seasons, her concert performances have included appearances at the Wiener Konzerthaus, the Concertgebouw Amsterdam, the Tchaikovsky Concert Hall St. Petersburg, KKL Luzern, Tonhalle Zürich, Philharmonie Luxembourg, the Odeon of Herodus Atticus in Athens, the Sidney Opera House Concert Hall, the Seoul Arts Center and most recently the Lincoln Center New York, in collaboration, inter alia, with such orchestras as the Wiener Philharmoniker, Budapest Festival Orchestra, Royal Concertgebouw Orchestra, and the RSO Wien.

Previous highlights include the live broadcast production of Beethoven’s Symphony N° 9 at the Concertgebouw Amsterdam under the direction of Iván Fischer; Beethoven’s Missa Solemnis at the Sydney Opera House Concert Hall on the occasion of the first visit of the Pope Benedict XVI to Australia; and the closing ceremony of the 2011 Special Olympics World Summer Games at the Panathenaic Stadium in Athens.

Myrtò Papatanasiu’s wide repertoire spans from renaissance and baroque (Monteverdi, Händel) to 20th century music (Menotti, Scott Joplin), displaying her great versatility.

CD and DVD recordings include those of Don Giovanni (Opus Arte), Il Turco in Italia (Naxos), Ginevra di Scozia (Naxos), Beethoven’s Symphony N°9 (RCO Live), Don Giovanni (C Major); and most recently Semiramide (Dynamic), as well as Rusalka, a live video recording from the Théâtre de la Monnaie.

In November 2016 Sony Classical will release the new, long-awaited Mozart’s Don Giovanni recording, in which she interpreted Donna Anna under the direction of Teodor Currentzis.

Born in Larissa, Greece, Myrtò Papatanasiu studied piano and music theory at the local Conservatory as well as musicology at the Aristotle University of Thessaloniki, before receiving her vocal performance diploma with distinction and first prize award from the State Conservatory of Thessaloniki. Being a recipient of the Megaron Athens Concert Hall grant, she completed her studies in Milano under the guidance of Roberto Coviello.

Last update: October 13, 2016